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Loca Harp solo
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Vous avez sélectionné:
Loca Harp solo
Partitions à imprimer
23 partitions trouvées
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1
Loca - Harp solo
Loca - Harp solo
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Alvaro Soler
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Janne-Minke
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Loca - Harp solo
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Janne- Minke Nijp
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Harp - Advanced Intermediate - By Alvaro Soler. Arranged by Janne-Minke. Solo Part. 5 pages. Published by Janne- Minke Nijp...
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Harp - Advanced Intermediate - By Alvaro Soler. Arranged by Janne-Minke. Solo Part. 5 pages. Published by Janne- Minke Nijp
Harp solo of Loca by Alvaro Soler. Suitable for lever & pedal harp.
Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she is specialized in playing Popharp. She has made many arrangements of Popsongs.
$4.99 ≈
4.62€
Ani Ma'amin / I Believe (Accompaniment Track)
Ani Ma'amin / I Believe (Accompaniment Track)
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Harpe, Violon (duo)
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Stephen DeCesare
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Ani Ma'amin / I Believe
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Exultet Music
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Harp,Violin - SKU: A0.1052065 Composed by Stephen DeCesare. 20th Century,Contemporary,Jewish,Standards,World. Accompaniment. Duration 265. Exultet Music...
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Harp,Violin - SKU: A0.1052065 Composed by Stephen DeCesare. 20th Century,Contemporary,Jewish,Standards,World. Accompaniment. Duration 265. Exultet Music #55777. Published by Exultet Music (A0.1052065). The words that were sung by dozens of Jews as they marched into the gas chambers combined with the words that were scratched into a wall at Auschwitz: I believe in the sun even when it’s not shining. I believe in love even when I don’t feel it. I believe in God even when He is silent. comprise this haunting and beautiful song. Can be used for Holocaust Remembrance Day services or in a concert setting. Scored for Tenor Solo, Violin, SATB and Piano.
$3.99 ≈
3.70€
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Harp
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Harp
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Clarinette et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1316712 Composed by Bach-Gounod. Arranged by James M. Guthrie. Chamber,Christmas,Contest,Festival,Religious,Tr...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1316712 Composed by Bach-Gounod. Arranged by James M. Guthrie. Chamber,Christmas,Contest,Festival,Religious,Traditional. Score and part. 11 pages. Jmsgu3 #905408. Published by jmsgu3 (A0.1316712). This arrangement features the controversial Schwencke measure (ms. 27) initially introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. They are based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1, and well suited for church meditations, school programs, or recital encores. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach's Prelude No. 1 from Well-Tempered Clavier I. This and Schubert's versions have become essential at weddings, masses, and funerals.Bach OverviewFirst, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most striking, though, are the St. John Passion and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$32.95 ≈
30.52€
Prelude No. 5 in F-sharp minor, Op. 20 by Juozas Naujalis (1869–1934)
Prelude No. 5 in F-sharp minor, Op. 20 by Juozas Naujalis (1869–1934)
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Orgue
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FACILE
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Audra TelksnytÄ—
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Balys Vaitkus
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Prelude No. 5 in F-sharp minor
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Nacionaline vargonininku asociacija
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Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1251254 By Audra Telksnyt?. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romanti...
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Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1251254 By Audra Telksnytė. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 2 pages. Nacionaline vargonininku asociacija #845531. Published by Nacionaline vargonininku asociacija (A0.1251254). 14 Preludes, Op. 20. Fourteen pieces for organ, dedicated to a “beloved friend, Fr. Teodoras Brazys,†presents the largest collection of works for this instrument in Naujalis’ oeuvre. Like Naujalis, Brazys was the graduate of the Church Music School in Regensburg. These fourteen preludes for organ appear to be written in expression of deep affinity and gratitude to a like-minded friend who shared similar values. Some of Naujalis’ organ preludes have been included in music collections abroad – by Mieczysław Surzyński in Warsaw and Joseph Joubert in Paris. Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.
$4.99 ≈
4.62€
Prelude No. 7 in G-sharp minor, Op. 20 by Juozas Naujalis (1869–1934)
Prelude No. 7 in G-sharp minor, Op. 20 by Juozas Naujalis (1869–1934)
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Orgue
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FACILE
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Vida PrekerytÄ—
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Balys Vaitkus
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Prelude No. 7 in G-sharp minor
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Nacionaline vargonininku asociacija
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Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1251257 By Vida Prekeryt?. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic...
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Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1251257 By Vida Prekerytė. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 2 pages. Nacionaline vargonininku asociacija #845534. Published by Nacionaline vargonininku asociacija (A0.1251257). 14 Preludes, Op. 20. Fourteen pieces for organ, dedicated to a “beloved friend, Fr. Teodoras Brazys,†presents the largest collection of works for this instrument in Naujalis’ oeuvre. Like Naujalis, Brazys was the graduate of the Church Music School in Regensburg. These fourteen preludes for organ appear to be written in expression of deep affinity and gratitude to a like-minded friend who shared similar values. Some of Naujalis’ organ preludes have been included in music collections abroad – by Mieczysław Surzyński in Warsaw and Joseph Joubert in Paris. Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.
$4.99 ≈
4.62€
Sonata Hymnica No. 1
Sonata Hymnica No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
8.80€
Sonata Hymnica No. 2
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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#
Sonata Hymnica No. 2
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James Siddons Music and Writings
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
8.80€
Sonata Hymnica No. 3
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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#
Sonata Hymnica No. 3
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James Siddons Music and Writings
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
8.80€
Beethoven - Moonlight Sonata Arrangement - (Key Map Tablature)
Beethoven - Moonlight Sonata Arrangement - (Key Map Tablature)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata A
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Music Innovators Workshop
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Piano Solo - Level 3 - SKU: A0.984713 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 8 pages. Music Innovators...
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Piano Solo - Level 3 - SKU: A0.984713 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 8 pages. Music Innovators Workshop #4357667. Published by Music Innovators Workshop (A0.984713). This is an arrangement of the first movement of the piece that retains most of its notes but has a few spots where it is simplified slightly. The arrangement on a key map tablature greatly simplifies it from the original notation with it's 4 sharps, B sharps, and double sharps. This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00 ≈
1.85€
Dance of the Prophets (Instrumental) from "The Kings" - ACT 1:Song 5
Dance of the Prophets (Instrumental) from "The Kings" - ACT 1:Song 5
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Piano seul
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INTERMÉDIAIRE
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McCorkle, Dennis F
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Dance of the Prophets
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DF McCorkle Music and eBook Publications
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Piano Solo - Level 3 - SKU: A0.784818 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 22 pages. DF McCorkle Music an...
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Piano Solo - Level 3 - SKU: A0.784818 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 22 pages. DF McCorkle Music and eBook Publications #11645. Published by DF McCorkle Music and eBook Publications (A0.784818). ACT ONE: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 10:5-6 - After that you shall come to the hill of God, where the garrison of the Philistines is located; and it shall come to pass, when you have come thither to the city, that you shalt meet a band of prophets coming down from the high place with harp, and frame-drum, and reed-pipe, and lyre, before them; and they will be prophesying. 6 And the spirit of Yahveh will come mightily upon you, and you shall prophesy with them, and shall be turned into another man.] As SAUL departs, SAMUEL tells him that he will meet a band of PROPHETS and be ‘changed into a different man’ by the encounter [Dance of the Prophets – Instrumental and Dance]. As foretold, SAUL meets up with the PROPHETS and is swept up in their ecstasy. Exhausted from the experience, he collapses into the back of a baggage cart that is heading back into town with a passing caravan of merchants. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99 ≈
2.77€
Invention No. 2 in D minor for three voices
Invention No. 2 in D minor for three voices
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Piano seul
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INTERMÉDIAIRE
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Robert W
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Invention No. 2 in D minor for
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Padgett Music Llc
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Piano Solo - Level 3 - SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padg...
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Piano Solo - Level 3 - SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.
$3.99 ≈
3.70€
Tree of McBaine
Tree of McBaine
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Piano seul
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FACILE
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New Age
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Contemporain
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Shanae Butterworth
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Tree of McBaine
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Shanae Butterworth
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Piano Solo - Level 2 - SKU: A0.1027801 Composed by Shanae Butterworth. 20th Century,Concert,Contemporary,New Age. Score. 3 pages. Shanae Butterworth #29...
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Piano Solo - Level 2 - SKU: A0.1027801 Composed by Shanae Butterworth. 20th Century,Concert,Contemporary,New Age. Score. 3 pages. Shanae Butterworth #2991371. Published by Shanae Butterworth (A0.1027801). A song inspired by a big Bur oak tree in McBaine Missouri, United States. A beloved local icon in mid Missouri, nicknamed by some as Big Tree. This song is good for students who can't reach octaves. Has a left hand melody, no sharps or flats, and triad patterns in the right hand. You can listen to the song on youtube.
$2.99 ≈
2.77€
Nocturne No. 20 for Violin and Piano
Nocturne No. 20 for Violin and Piano
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Violon et Piano
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne No. 20 for Violin and
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Diego Marani
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Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Frederic Chopin (1810-1849). Arranged by Diego Marani. Romantic Period, Cla...
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Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Frederic Chopin (1810-1849). Arranged by Diego Marani. Romantic Period, Classical Period, Repertoire, Classroom, Recital. Individual Part, Score, Solo Part. 5 pages. Published by Diego Marani
The Nocturne No. 20 in C-sharp minor, Op. posth., Lento con gran espressione, is a solo piano piece composed by Frdric Chopin in 1830 and published in 1870. This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army.
This arrangement for Violin with Piano Accompaniment reflects faithfully the original for piano solo.
$8.99 ≈
8.33€
Carolan: 174
Carolan: 174
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Mandoline, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Turlough Ó Carolan
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Gordon Jackson
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Carolan: 174
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Gordon Jackson
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 4 - SKU: A0.1017672 Composed by Turlough ? Carolan. Arranged by Gordon Jackson. Baroque,Cel...
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 4 - SKU: A0.1017672 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 2 pages. Gordon Jackson #6434379. Published by Gordon Jackson (A0.1017672). 174Turlough Ó Carolan (1670-1738) was an Irish harper and composer. Carolan’s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a ‘trad’ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers that he would have heard played at the great houses he visited. Carolan’s Draught is an example of the latter.The rather prosaically titled ‘174’ is simply the result of the air’s original name being lost in the mists of time, and Donal O’Sullivan, in his Carolan: The Life Times and Music of an Irish Harper [sic.] allocated numbers to the tunes that had no titles (171-180). I have arranged this primarily for solo mandolin, although I’m sure it can be adapted for other instruments. The piece is played three times through: first, the basic unadorned melody; second, with just a few simple double stops and open strings; third, a fully-realised romp with many, often quite tricky, double stops (and open strings, of course, but they’re pretty easy!). I’ve added guitar chords above the staff (letter names only), not that it necessarily needs further accompaniment. The melody is so heavily arpeggiated the chords more or less wrote themselves. A word of warning – easily discovered for yourselves, really – beware of attempting to play this too fast lest those runs of quavers (16th notes) catch you unawares!
$4.99 ≈
4.62€
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Germaine Tailleferre
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Germaine Tailleferre: Concerto
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Musik Fabrik Music Publishing
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Chamber Orchestra - Level 5 - SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6...
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Chamber Orchestra - Level 5 - SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95 ≈
43.49€
Nocturne in c#, Op. Posthume - F Chopin (Violin & Cello)
Nocturne in c#, Op. Posthume - F Chopin (Violin & Cello)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Peet du Toit
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Nocturne in c#, Op. Posthume -
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Peet du Toit
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.802607 Composed by Frederic Chopin. Arranged by Peet du Toit. Contemporary. Score a...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.802607 Composed by Frederic Chopin. Arranged by Peet du Toit. Contemporary. Score and parts. 4 pages. Peet du Toit #5982425. Published by Peet du Toit (A0.802607). The Nocturne No. 20 in C- sharp minor, Op. posth., Lento con gran expressione, P 1, No. 1, No. 16, KKIVa/16, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1870.Chopin dedicated this work to his older sister Ludwika Chopin, with the statement: To my sister Ludwika as an exercise before beginning the study of my second Concerto. First published 21 years after the composer's death, the piece is usually referred to as Lento con gran espressione, from its tempo marking. It is sometimes also called Reminiscence. The piece was played by Holocaust survivor Natalia Karp for the Nazi concentration camp commandant Amon Goeth, with Goeth being so impressed with the rendition that he spared Karp's life.This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army. Years later Szpilman also played this piece for German army officer Wilm Hosenfeld upon their first meeting, though in the corresponding film scene Szpilman plays an abridged version of Chopin's Ballade No. 1 in G minor, Op. 23. Hosenfeld later helped Szpilman hide and provided food to him in the last months of the war.It's been many years I've been inspired by this music after seeing violinist Midori (at age 12) having performed this (watch https://www.youtube.com/watch?v=Bw0UH1UXJVg ). So, here is my attempt for a string duo. Enjoy!
$13.50 ≈
12.50€
Christmas Tree Farm
Christmas Tree Farm
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Orchestre d'harmonie
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AVANCÉ
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Noël
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Larry MacTaggart
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Christmas Tree Farm
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MacTaggart Music
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Concert Band - Level 5 - SKU: A0.1330439 Composed by Larry MacTaggart. Christmas,Holiday. 96 pages. MacTaggart Music #918308. Published by MacTaggart Mu...
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Concert Band - Level 5 - SKU: A0.1330439 Composed by Larry MacTaggart. Christmas,Holiday. 96 pages. MacTaggart Music #918308. Published by MacTaggart Music (A0.1330439). This programatic work paints the picture of the annual visit to a local Christmas tree farm. Â Original themes are intertwined with Over The River and Through the Woods, plus O Tannenbaum to provide a healthy dose of holiday sentinmentality. Â Clever key and meter changes present fun and accesible challenges for every section in the ensemble. Â Additional parts for a solo soprano sax, harp, and string bass and can add to the overall charm of the piece. Â You will swear you can smell evergreens when you perform this delightful work, guaranteed to be a real crowd pleaser.
$70.00 ≈
64.84€
Nocturne No. 20 for Bassoon and Piano
Nocturne No. 20 for Bassoon and Piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne No. 20 for Bassoon an
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Diego Marani
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Bassoon,Piano - Level 3 - SKU: A0.528556 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standard...
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Bassoon,Piano - Level 3 - SKU: A0.528556 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6204031. Published by Diego Marani (A0.528556). The Nocturne No. 20 in C-sharp minor, Op. posth., Lento con gran espressione, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1870. This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army.This arrangement for Bassoon with Piano Accompaniment reflects faithfully the original for piano solo.
$8.99 ≈
8.33€
Nocturne No. 20 for Viola and Piano
Nocturne No. 20 for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne No. 20 for Viola and
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Diego Marani
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Piano,Viola - Level 3 - SKU: A0.528558 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards....
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Piano,Viola - Level 3 - SKU: A0.528558 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6204525. Published by Diego Marani (A0.528558). The Nocturne No. 20 in C-sharp minor, Op. posth., Lento con gran espressione, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1870. This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army.This arrangement for Viola with Piano Accompaniment reflects faithfully the original for piano solo.
$8.99 ≈
8.33€
Nocturne No. 20 for Alto Saxophone and Piano
Nocturne No. 20 for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne No. 20 for Alto Saxop
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Diego Marani
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Alto Saxophone,Piano - Level 3 - SKU: A0.528551 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,S...
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Alto Saxophone,Piano - Level 3 - SKU: A0.528551 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6202163. Published by Diego Marani (A0.528551). The Nocturne No. 20 in C-sharp minor, Op. posth., Lento con gran espressione, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1870. This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army.This arrangement for Alto Sax with Piano Accompaniment reflects faithfully the original for piano solo.
$8.99 ≈
8.33€
Nocturne No. 20 for Oboe and Piano
Nocturne No. 20 for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne No. 20 for Oboe and P
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Diego Marani
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Oboe,Piano - Level 3 - SKU: A0.528555 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. ...
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Oboe,Piano - Level 3 - SKU: A0.528555 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6204009. Published by Diego Marani (A0.528555). The Nocturne No. 20 in C-sharp minor, Op. posth., Lento con gran espressione, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1870. This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army.This arrangement for Oboe with Piano Accompaniment reflects faithfully the original for piano solo.
$8.99 ≈
8.33€
Roll it on Down the Highway (Ahio & Cast) from "The Kings - ACT 2:Song 3
Roll it on Down the Highway (Ahio & Cast) from "The Kings - ACT 2:Song 3
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McCorkle, Dennis F
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Roll it on Down the Highway
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DF McCorkle Music and eBook Publications
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Bass Voice,Vocal Solo - Level 3 - SKU: A0.784829 Composed by McCorkle, Dennis F. Broadway,Christian,Gospel,Musical/Show,Rock. 23 pages. DF McCorkle Musi...
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Bass Voice,Vocal Solo - Level 3 - SKU: A0.784829 Composed by McCorkle, Dennis F. Broadway,Christian,Gospel,Musical/Show,Rock. 23 pages. DF McCorkle Music and eBook Publications #11749. Published by DF McCorkle Music and eBook Publications (A0.784829). ACT TWO: Song 3. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Chronicles 13:1-3 - And David consulted with the captains of thousands and of hundreds, even with every leader. 2 And David said unto all the assembly of Israel: ‘If it seem good to you, and if it be of Yahweh our God, let us send abroad everywhere unto our brethren that are left in all the land of Israel, and with them to the priests and Levites that are in their cities that have open land about them, that they may gather themselves unto us; 3 and let us bring back the ark of our God to us; for we sought not unto it in the days of Saul.’] [1 Chronicles 13:7-10 - And they set the ark of God upon a new cart, and brought it out of the house of Abinadab; and Uzza and Ahio drove the cart. 8 And David and all Israel played before God with all their might; even with songs, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets. 9 And when they came unto the threshing-floor of Chidon, Uzza put forth his hand to hold the ark; for the oxen stumbled. 10 And the anger of Yahweh was kindled against Uzza, and He smote him, because he put forth his hand to the ark; and there he died before God.] Realizing the need for a central capital from which to govern, DAVID and the united clans capture the fortress of Zion in Jerusalem. Concerned about the people and solidifying the position, DAVID assembles the commanders and leaders of the people to discuss the possibility of relocating the Ark of the Covenant from the house of Abinadab in Kiriath-jearim, where it had been stored for seventy years, to Jerusalem. DAVID orders a new cart be made for its transport, disregarding the directives from God that only permitted the Levites to move the Ark and only carried with the poles on their shoulders [Role it on Down the Highway – Ahio and David’s Troops]. When the Ark reaches the threshing-floor at Nacon, the oxen stumble and Uzzah puts his hand out to steady it and is instantly killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99 ≈
2.77€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.53€
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Loca Harp solo
